Kit pour la relève des arts médiatiques au Québec (CQAM)

Ce document a été préparé par le Conseil québécois des arts médiatiques et destiné aux artistes de la relève du Québec. Il contient des informations à propos des centres d’artistes en recherche et création, des organismes de diffusion et de distribution, des formations et ateliers et des liens pertinents à propos des arts médiatiques.

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Resources for Emerging Media Artists in Quebec (CQAM)

This resource is currently only available in French.

This document was prepared by the Conseil québécois des arts médiatiques for emerging artists in Quebec. It contains information specific to the Quebec milieu on research and creation centres, distribution centres, training, workshops and other relevant links about media arts.

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1 January 2014

Caring for Video Art: Best Practices Guide (Vtape) 3

This guide was developed by Vtape as a tool for organizations to develop best practices that will assist in documentation and inventory, the creation of suitable storage environments, as well as the handling and maintenance of their video art. The techniques and processes discussed in this guide are for video works created and found on magnetic videotape formats such as ½˝ open-reel, ¾˝ Umatic, VHS, Betacam SP, MiniDV and Digital Betacam.
3 October 2017

Contract Templates for Artists (CQAM) 3

The Conseil québécois en arts médiatiques (CQAM), in collaboration with consultant Georges Azzaria and a committee of artists in digital arts, have developed a series of contract templates for use by the media arts community.
18 December 2018

Think Before You Appropriate: A guide for creators and designers 1

People and cultures have always exchanged and borrowed ideas from each other to create new forms of art and symbolic expression. Whether intentionally or not, most if not all human creations reflect varied sources of inspiration. Why, then, are some products negatively labelled “cultural appropriation” or their creators accused of disrespecting the very cultures they found inspiring? And why do products inspired from Indigenous cultural heritage seem to spark particularly strong reactions and pushback? This guide, developed by The Intellectual Property Issues in Cultural Heritage (IPinCH), unpacks these important questions. It provides advice to designers and marketers on why and how to avoid misappropriation, and underlines the mutual benefits of responsible collaborations with Indigenous artists and communities.