Espaces, installations et matériel

13 articles

Planification d’entreprise (IMAA)

Cette section contient des documents qui aident à décrire le plan d’affaires d’une organisation, qui est souvent utilisé pour illustrer les objectifs et les stratégies d’une organisation aux bailleurs de fonds et aux prêteurs.

Planification du projet (IMAA)

Cette section contient des documents utiles pour les premières étapes de la planification d’un projet immobilier, y compris les grandes lignes du projet à long terme, des exemples d’évaluations de faisabilité et des exemples du Centre des arts Meduse, de PAVED Arts/AKA et de TMAC.

Guide de bonne pratiques pour un artiste en résidence dans une entreprise créative (CQAM)

Ce guide s’adresse d’abord aux organismes du milieu des arts médiatiques qui désirent développer des projets de résidences en milieu industriel.

1 January 2014

Caring for Video Art: Best Practices Guide (Vtape) 3

This guide was developed by Vtape as a tool for organizations to develop best practices that will assist in documentation and inventory, the creation of suitable storage environments, as well as the handling and maintenance of their video art. The techniques and processes discussed in this guide are for video works created and found on magnetic videotape formats such as ½˝ open-reel, ¾˝ Umatic, VHS, Betacam SP, MiniDV and Digital Betacam.
3 October 2017

Contract Templates for Artists (CQAM) 3

The Conseil québécois en arts médiatiques (CQAM), in collaboration with consultant Georges Azzaria and a committee of artists in digital arts, have developed a series of contract templates for use by the media arts community.
18 December 2018

Think Before You Appropriate: A guide for creators and designers 1

People and cultures have always exchanged and borrowed ideas from each other to create new forms of art and symbolic expression. Whether intentionally or not, most if not all human creations reflect varied sources of inspiration. Why, then, are some products negatively labelled “cultural appropriation” or their creators accused of disrespecting the very cultures they found inspiring? And why do products inspired from Indigenous cultural heritage seem to spark particularly strong reactions and pushback? This guide, developed by The Intellectual Property Issues in Cultural Heritage (IPinCH), unpacks these important questions. It provides advice to designers and marketers on why and how to avoid misappropriation, and underlines the mutual benefits of responsible collaborations with Indigenous artists and communities.